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Sylvie and Bruno: Lewis Carroll Classic Novels (Lewis Carroll Classics), by Lewis Carroll
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Sylvie and Bruno
By Lewis Carroll
Classic Novels
Sylvie and Bruno, first published in 1889, and its second volume Sylvie and Bruno Concluded published in 1893, form the last novel by Lewis Carroll published during his lifetime. Both volumes were illustrated by Harry Furniss.
The novel has two main plots: one set in the real world at the time the book was published (the Victorian era), the other in the fantasy world of Fairyland. While the latter plot is a fairy tale with many nonsense elements and poems, similar to Carroll's Alice books, the story set in Victorian Britain is a social novel, with its characters discussing various concepts and aspects of religion, society, philosophy and morality.
Two short pieces, "Fairy Sylvie" and "Bruno's Revenge", originally appeared in Aunt Judy's Magazine in 1867. Some years later, in 1873 or 1874, Carroll had the idea to use these as the core for a longer story. Much of the rest of the novel he compiled from notes of ideas and dialogue which he had collected over the years (and which he called "litterature" in the introduction to the first volume).
Carroll initially intended for the novel to be published in one volume. However, due to its length, it was divided into two volumes, published in 1889 and 1893.
The novel is not nearly as well known as the Alice books. It was very poorly received and did not have many reprintings; modern commentators note that it lacks much of Carroll's characteristic humour. The poem The Mad Gardener's Song, widely reprinted elsewhere, is the best-known part of the book.
The introductory poem contains a double acrostic on the name "Isa Bowman", one of Carroll's child friends.
- Sales Rank: #6523836 in Books
- Published on: 2015-01-27
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .40" w x 7.00" l, .70 pounds
- Binding: Paperback
- 176 pages
Review
Novel for children by Lewis Carroll published in 1889. The work evolved from his short story "Bruno's Revenge," published in 1867 in Aunt Judy's Magazine. With its sequel, Sylvie and Bruno Concluded (1893), it was his final work for children. The novel attained some popularity, but was considered puzzling and disjointed. Containing more banter between the titular siblings than plot, the convoluted story operates on two parallel levels, one realistic and didactic, and the other dreamlike and fantastic. It includes elements of fairy tales (Sylvie and Bruno are fairy children bent on doing good works and saving a throne), sentimental moralizing, and edifying episodes espousing social reform. -- The Merriam-Webster Encyclopedia of Literature
About the Author
Lewis Carroll is a pseudonym of the Rev. Charles Lutwidge Dodgson, who was born on January 27, 1832, and died on January 14, 1898. His most famous works are Alice's Adventures in Wonderland; its sequel, Through the Looking-Glass and What Alice Found There; and The Hunting of the Snark.
Most helpful customer reviews
16 of 16 people found the following review helpful.
A goldmine
By Inti Cristobal Santamaría Bolaños
When you begin to read this book (together with its second part "Sylvie and Bruno Concluded"), you must always remember what Lewis Carroll states in the Preface: that the book was written putting together all sorts of bits of writing that the author had skteched and drafted here and there for a long time, trying to find a common thread. So it's an assorted bunch of funny, clever and often deep pages. Even so, you might miss one of the charms of "Alice's adventures in Wonderland": the spontaneity, the straightforwardness. This is very much the opposite situation: a book that was written slowly, painstakingly constructing the main body of the story.
So you can find here almost all dimensions of Carroll's thoughts: humorous nonsense and innumerable puns (including a word as original as "Jabberwocky" or "Boojum": "Phlizz"); logical and mathematical puzzles, including a simple and clever description of a Möbius strip; tender and lovely stories for children; lots of poetry... And three elements I haven't found neither in the Alice books nor in "The Hunting of the Snark": solemn religious meditations; the only real presence of death in a Carroll text (as far as I know, not being a Carroll scholar myself) when Sylvie watches a dead hare; and an adult romance.
All these aspects are intertwined in a precarious narrative line-- there are almost as many disgressions as there are chapters; but what might seem a flaw in the book can be its main charm. All in all, Carroll found here A METHOD FOR NONSENSE or, as he says, "a far clearer idea (...) of the meaning of the word 'chaos'".
This is certainly not the best book to begin to read Carroll, but it's a pity it's not even half as popular as the Alice books. It's really worth reading it: it's like delving deep into the goldmine of the brain and the heart of a genius.
5 of 5 people found the following review helpful.
Remarkable
By Carlo
The book IS inconsistent. Unlike the brilliant Alice books, there are places where what Carroll is trying to do just doesn't work. But this book is written on a GIGANTIC scale. Carroll tries to take the basis of Alice, and expand it into something of real profundity - something that covers an entire moral and ethical universe. And much of the time, he actually *succeeds* at such an impossible task. There are scenes that are hysterically funny, and scenes that will make you weep. The book is VERY touching, and gives a strong and unforgettable message on the totality, wonder and all-conquering nature of all-conquering love. Sylvie, the fairy-child, is Love Itself, embodied. Despite its spottiness, this book is very, very impressive, and you will want to read it more than once, just to re-experience the good stuff, which is very, very good.
"For I think it is Love. For I feel it is Love. For I'm sure it is nothing but Love!"
Indeed. And Amen.
10 of 12 people found the following review helpful.
Weird and confusing but it really grows on you
By A Customer
At first this seems disappointing after Alice in Wonderland and Through the Looking Glass. But after a while it grows on you. I don't bother to try and follow the story. I just open it at random and read bits of it. There's always an unusual and interesting idea, or some funny dialogue or else a totally off the wall dreamlike image. Also there are some great poems in it. It is admittedly a patchy book. I like Bruno- he's quite like Alice but that baby talk was popular in Victorian times and grates on you now. Lewis Carroll didn't succeed in blending these great elements into a book that's easy to read, and this is why it is less popular. But it is definitely worth getting if you want another glimpse into the mind that wrote Alice. You will find plenty of the same kind of stuff. Also I think Lewis Carroll was a really nice person as this book often cheers me up when I feel low. It is happy and positive.
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