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Timeless, beautiful, and haunting, spirals connect the four episodes of The Ghosts of Heaven, the mesmerizing new novel from Printz Award winner Marcus Sedgwick. They are there in prehistory, when a girl picks up a charred stick and makes the first written signs; there tens of centuries later, hiding in the treacherous waters of Golden Beck that take Anna, who people call a witch; there in the halls of a Long Island hospital at the beginning of the 20th century, where a mad poet watches the oceans and knows the horrors it hides; and there in the far future, as an astronaut faces his destiny on the first spaceship sent from earth to colonize another world. Each of the characters in these mysterious linked stories embarks on a journey of discovery and survival; carried forward through the spiral of time, none will return to the same place.
- Sales Rank: #143623 in Books
- Published on: 2015-01-06
- Released on: 2015-01-06
- Original language: English
- Number of items: 1
- Dimensions: 8.55" h x 1.22" w x 5.75" l, 1.00 pounds
- Binding: Hardcover
- 368 pages
From School Library Journal
Gr 7 Up—Like his Printz Award-winning Midwinterblood (Roaring Brook, 2013), the prolific Sedgwick's latest work consists of individual tales spanning centuries of time connected only by a single thread—in this case a shape; the spiral. From a mark scribbled in the dust by a girl of prehistoric times to the strands of the rope used to hang a medieval girl accused of witchcraft; from a poet plagued by madness who finds the spiral with its never-ending pattern horrifying to the one person left awake to watch over a ship full of sleepers in a state of suspended animation as they spiral through the universe looking for a new earth, each story carries a message of loss and discovery. Tying all four stories together is this one mysterious symbol, which can be found throughout nature in the shells of snails, the patterns of birds in flight, the seeds in a sunflower, and the strands of the double helix of DNA and comes to signify in these tales, a dance of death (and life). At once prosaic and wondrously metaphysical, Sedgwick's novel will draw teens in and invite them to share in the awe-inspiring (and sometimes terrifying) order and mystery that surround us all.—Jane Henriksen Baird, Anchorage Public Library, AK
Review
“Four short stories, thematically related by images of the spiral form that snakes its way through each to obsess a protagonist, flash across time in this thought-provoking collection.” ―BCCB
“. . . satisfyingly brain-teasing.” ―The Horn Book
“* Sedgwick is one of the most sophisticated, thought-provoking voices in YA novels, and like his Printz winning Midwinterblood, this presents a story told in pieces over a span of centuries.” ―Booklist, STARRED REVIEW
“* Like his Printz Award-winning Midwinterblood, the prolific Sedgwick's latest work consists of individual tales spanning centuries of time connected only by a single thread - in this case a shape; the spiral . . . At once prosaic and wondrously metaphysical, Sedgwick's novel will draw teens in and invite them to share in the awe-inspiring (and sometimes terrifying) order and mystery that surround us all.” ―School Library Journal, STARRED REVIEW
“* Similar to Sedgwick's Printz Award-winning Midwinterblood, four stories relate in elusive ways . . . this complex masterpiece is for sophisticated readers of any age. Haunting.” ―Kirkus Reviews, STARRED REVIEW
“Readers who like untangling puzzles will enjoy parsing the threads knitting together this corkscrew of tales.” ―Publishers Weekly
“A tale for the ages, expertly spun and completely satisfying.” ―Eoin Colfer, New York Times Book Review on Midwinterblood
“Its strange spell will capture you.” ―Booklist, starred review on Midwinterblood
“The Time traveler's Wife meets Lost in this chilling exploration of love and memory.” ―Kirkus, starred review on Midwinterblood
“A story that's simultaneously romantic, tragic, horrifying, and transcendental.” ―Publishers Weekly, starred review on Midwinterblood
About the Author
Marcus Sedgwick has always been fascinated with spirals, which occur throughout nature from the microscopic to the interstellar. Fundamentally elegant and mesmerizing, many cultures and individuals have ascribed a special meaning to the form. He is the author of more than a dozen books for young adults, most recently She Is Not Invisible, Midwinterblood, which won the 2014 Michael L. Printz Award, White Crow, and Revolver, a Printz Award Honor Book. He lives near Cambridge, England.
Most helpful customer reviews
8 of 9 people found the following review helpful.
The Meaning of a Spiral
By Dan Thompson, Author
I, like a lot of people probably, read this book in the conventional way - cover to cover, even though it quite clearly states that each quarter of the book can be read in any order and still make sense.For each quarter is its own story, loosely tied to each other by the symbol of a spiral. I'm glad I did read it cover to cover.
It reminded me of David Mitchell's Cloud Atlas. Tales of witchcraft, the mentally insane, a cave girl from the beginnings of time to the futuristic account of a lonely spaceman aboard a ship seeking a new homeland. Imaginatively thought and creatively told. The Ghosts of Heaven is also an intelligent novel; it makes you think more than first realise and it will force you to carry on reading to discover the meaning of this never-ending spiral and why it means something to each of the quarter's protagonists.
My particular favourite quarters were the second one which follows the story of young Anna who is struggling to cope with the death of her mother and look after her brother who is suffering from an as yet undiscovered ailment. It was richly told and instantly took me back to my love of Arthur Miller's The Crucible.
I also fell in love with the third quarter, which is dark and captivating with its setting being a mental institution. And yet, even after closing the book, I'm left with an unnerving respect for the almost surreal writing of quarter four where everything (in my opinion) links together.
I have admired Marcus Sedgwick for many years now, and I must say that The Ghosts of Heaven is his most ambitious novel to date. Not as popular as he should be, Sedgwick manages to hit all the right spots no matter what type of book he writes.
3 of 3 people found the following review helpful.
Trying hard to mean something.
By Karishma Changlani
his book is a bad attempt sounding pompous and hinting at a greater meanings of life while achieving nothing at all.
Marcus doesn't seemed to have planned anything. Here is how the idea to writing this book must have come to him:
Let me make 4 stories that are mildly interesting, give them strange supernatural links that don't seem to mean anything, link them with spirals. Make spirals feel like the omnipotent god or something and then these fools will take it to mean something cool that Even I don't know. Open to interpretation folks!
NO! That's not how it goes Marcus. When I finish these 400 or so pages your book should have achieved something. Told me, hinted at me and made me wonder for days. Not just pose a question that Blurb does anyway. Like seriously anyone who read this book please tell me what did I learn except: Spirals are important ( I knew this after reading the blurb), The universe has things we don't know yet (We all know that already) and humans hunt knowledge of the infinite( We all know that too) Did you pose question that we might have not thought of, provide a new insight, give us something, anything? No!
All of this augmented by bad poetry that seems to be everywhere: (Except the second story thank god) Free verse is one thing, no sense of rhythm and consistency is another.
And the worst part, there is no consistency even in the one thing this books seems to be so obsessed with: spirals. Really like what does spirals do specifically I ask? Everything, make people go crazy, causes problems in time, kills people, saves people, produces hunt, talks to ghosts, walks my dog, takes me to the toilet in the morning, shuts up my neighbors when they party too hard? It's just everything. This is the first book I have read from this author and it will, sure as hell, be the last.
5 of 6 people found the following review helpful.
a startling, clever and life-affirming novel
By Miss Print
"It was all the same thing; the same sign, and now she knew what it meant."
In a time before modern history, a girl tries to use a charred stick and ochre to make magic with disastrous results. Staring at the spiral shapes found everywhere in nature, she begins to grasp the enormity--the power--that can be found in written marks.
Centuries later, Anna hopes to care for her brother after her mother's death only to have the entire town turn against her. As she fights rumors and increasingly vocal accusations that she is a witch, Anna too begins to see hidden meaning in the spiral found in their traditional spiral dance that begins to appear everywhere.
In the twentieth century an American poet watches the ocean from within the walls of an inhospitable asylum. He can see the shapes there too. Spirals. Helixes. Shapes that have become emblematic of the horrors he can scarcely fathom.
Keir Bowman knows, in the distant future, that he will become an astronaut on a desperate mission to colonize a new planet. He knows he will keep looking forward. What Bowman can't guess is that in hurtling himself through space, he will also move toward his destiny and an understanding of these spirals that march through history in The Ghosts of Heaven (2015) by Marcus Sedgwick.
The Ghosts of Heaven is a standalone novel in the same style as Sedgwick's Printz Award winner Midwinterblood.
After an introduction from the author, The Ghosts of Heaven includes four short stories titled "Whispers in the Dark," "The Witch in the Water," "The Easiest Room in Hell," and "The Song of Destiny." As the introduction explains, these stories can be read in any order. (I read them in the order given in the book which is also the order listed above.)
The Ghosts of Heaven is an incredibly smart and ambitious novel. The stories here span a variety of genres and forms as they work together to convey a larger meaning.
"Whispers in the Dark" is told in sparse verse form as a girl begins to make sense of written words and forms.
"The Witch in the Water" returns to more traditional prose as the story watches the hysteria and fear that fed the fires of witch accusations and trials in the seventeenth century. This segment also highlights how much of the novel deals with unequal power dynamics--in this case as Anna tries to work around much unwanted attention.
"The Easiest Room in Hell" brings readers to an asylum on Long Island where supposedly revolutionary treatments highlight the arcane and unfeeling nature of much mental health care in the early twentieth century. This story also underscores the fine line that can exist between creativity and madness.
Finally in "The Song of Destiny" Sedgwick brings the golden ratio (and the Fibonacci sequence) to the forefront in this solitary and meditative story as all of the vignettes come together in a conclusion with surprising revelations about the spirals and their ultimate meaning.
Sedgwick weaves subtle references between each quarter to make sure that the whole is greater than the sum of its parts as readers--along with the characters--move toward a larger understanding over the course of the entire novel.
The Ghosts of Heaven is a startling, clever and life-affirming novel that pushes the written word to its limit as Sedgwick expertly demonstrates the many ways in which a story can be told.
Possible Pairings: Tiger Lily by Jodi Lynn Anderson, All the Truth That's in Me by Julie Berry, Plain Kate by Erin Bow, Wildthorn by Jane Eagland, The Curiosities by Tessa Gratton, Maggie Stiefvater and Brenna Yovanoff; The Curious Incident of the Dog in the Night-Time by Mark Haddon, The Physick Book of Deliverance Dane by Katherine Howe, Folly by Marthe Jocelyn, Fire and Hemlock by Diana Wynne Jones, A Confusion of Princes by Garth Nix, Across the Universe by Beth Revis, In the Shadow of Blackbirds of Cat Winters
*A copy of this book was acquired for review consideration from the publisher*
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