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Son of a Dark Wizard (The Dark Wizard Chronicles Book 1), by Sean Patrick Hannifin
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Thirteen year old Prince Sorren survived the surprise attack on his castle, but the young wizard’s life is left in ruins. His father’s been assassinated, he was forced to flee his castle, and he lost his left arm. But he’s not about to lose the kingdom his father promised would someday be his. He doesn’t care if his father’s assassin is a boy believed to be the Chosen One, or if the prophecy that foretold his father’s death also calls for his own death at the same boy’s hands. He sets out in search of the boy, ready to battle him face to face.
But the Chosen One keeps a powerful weapon, and Sorren soon learns that even a dark wizard’s powers will not be enough to take his kingdom back.
- Sales Rank: #814315 in eBooks
- Published on: 2015-01-01
- Released on: 2015-01-01
- Format: Kindle eBook
Most helpful customer reviews
4 of 4 people found the following review helpful.
Harry Potter Meets Game of Thrones
By Monica LaSarre, Author
The first of a promising new series, I was completely engaged in the trials and triumphs of Sorren, the son of a Dark Wizard. Full of fast-paced action, diverse characters and interesting, well-written dialogue, if I had to label this book I would call it Harry Potter meets Game of Thrones, for kids. The ending left me eager for the next installment in the series. The author did a really stellar job of creating a world where magic is a reality and I was impressed by the alternate perspective the author gave which succeeded in leaving me cheering for Sorren, not The Chosen One who arguably could be the rightful protagonist of this story. Nicely done.
2 of 2 people found the following review helpful.
I really wanted to like this book
By Paul King
I really wanted to like this book. It had a promising premise from reading the synopsis. A revenge story told from the child of the bad guy, how neat. Sadly, I felt there wasn't enough character development to deliver on the idea. The bad guy that is killed is basically a name on the page. There was little connecting the father to the son. I think there were two instances of the son thinking back on his father. His died just died and the kid just goes on acting like a robot trying to achieve his goals. Sorren feels sad his father won't teach him anymore magic, and that's about the extent of grieving. I read another review stating that despite all the characters being children, they all act like adults. Most people are a wreck after losing a loved parent, god forbid a 13 year old. It leads to a lot of 2D characters in the book. I never felt anything for the characters, save for the kid with the magic eye. I felt bad that he got caught up in the whole mess.
It wasn't all bad though. I was impressed with how he had Sorren Ultimately deal with the chosen one. It surprised me at first, then felt like a very natural thing for the son of an evil wizard to do. It was one of the many good ideas in the book, but unlike the other ideas it was well executed. Things to improve in the book: Honestly make it longer. I read the entire book in an hour and a half. I'm a fast reader, but come on. Brevity is fine, but there was simply too much left out. Explain more about the father so we care that Sorren lost him. Where was the mother in all this. Not a word about her, which I assume will tie in to the sequels, but we are all left wondering. The ending didn't actually lead into anything. Sorren claims he's going to change the world, but why? All book long he's just wanted to kill the chosen one, and now he's on a mission to revolutionize the world? What's wrong with the world, what needs to be changed?
I really want to like this book, and with some work I think it has potential. I'm willing to bet in the author's head everything makes perfect sense, he just failed to convey it all to his audience.
2 of 2 people found the following review helpful.
Not the most original, but definitely decent.
By Bibliotropic .net
When Sorren’s father, the tyrant wizard Vonlock, is killed, the battle for succession begins. The Nyrish Council has a tradition that any council member can enter a challenge for Vonlock’s position as head of the council. Tradition also has it that Vonlock’s heir is automatically a council member upon Vonlock’s death. In an attempt to remove Sorren as a threat to their plans, they set him an impossible task as his challenge: defeat the one who killed his father, a boy known only as the Chosen One, whom prophecy dictates will bring about the fall of Vonlock’s legacy.
For a mid-grade novel (which I actually didn’t realise until I started writing this review; I figured it was YA), I have to admit that the story was pretty tight. Hannifin sets up an interesting world, one in which the populace has been under the thumb of a tyrant for a long time and has only just experienced their first taste of freedom. And then along comes this kid who aims to take up his father’s mantle and sit in his throne. The world is a decently fleshed-out one, at least what we see of it, and the pacing is even and it all flows pretty well.
The problem lies in the sheer lack of motivation both Sorren and the Chosen One have. In the Chosen One’s case, he’s a boy prophesied to bring down Vonlock’s entire family, but when he appears on the pages, he seems more like a kid that’s being manipulated by those more powerful and knowledgeable than himself, a figurehead thrust into his position and given the tools to do what people think he should do. We don’t get to see enough of him to know if he has any stronger motivation than, “Someone said I have to, so I have to.”
In Sorren’s case, I’m utterly at a loss. It would be easy to say that he spends the book doing what he does because he was set that task by the Nyrish Council, the conditions he has to achieve in order to attain power. But that only occurs because he insists on taking up the role in the first place, and there’s little reason why. There’s little sign he felt affection for his father, nor some great family tie that would lead him to view all this as his duty. He shows more affection to his friends and advisors, but only so far as they don’t stop him from setting out on his quest. He, much like the Chosen One, seems to be doing everything he does because that’s the role he’s expected to play, but never once do we see any sign that he’s even aware enough to consider that. He just plows on ahead, bent on fulfilling a task that he has no reason to fulfill. He defines himself as “the son of a dark wizard” multiple times, almost by rote, so I can maybe see that this all stems from being told he has to do it, but from where I stand, that’s not exactly sufficient motivation, since all that comes from just reading between the lines.
So the motivations of the two characters that really drive the plot are poorly defined, almost nonexistent, and it comes across like they’re there only because they have to be for a story to be told.
It was, however, easy to forget all that at times. The world Hannifin created is interesting enough to keep me distracted, multi-layered and multi-cultural. True, those layers do often consist of stereotypes common to fantasy, but that’s not always a bad thing. The bare bones may be similar to a dozen other novels, a bit generic, but it’s the flesh that matters, and the world of Son of a Dark Wizard feels strong enough to stand on its own feet, without being compared to another novel’s ‘verse.
Honestly, when I finished this book my first thought was that I would love to see this world expanded. It was a short read, not even 200 pages, and since it felt a lot more like YA than mid-grade (at least to me), I felt that some things were done a disservice — for instance, the lack of motivations I mentioned previously. Sorren didn’t read as though he was only 13; he came across as older than that, mid-to-late teens, so with that viewpoint in mind, I had it in my head that this book needed to be longer, more detailed, expanded and redone. Not because it was bad and had so many flaws to address, but because it was good, and I wanted to see more. Putting on my pseudo-agent hat, that’s what I’d likely recommend. Good story, needs some editing and revision, please resubmit if you ramp it up a notch.
This isn’t a book I necessarily would have picked up and read as my own choice, but it’s one that I did enjoy reading as part of Mark Lawrence's Self-Published Fantasy Blog-Off project. It’s not without its flaws, but it’s still a decent read, a quick adventure through a new land that offers things you don’t see elsewhere. Sorren lies somewhere between hero and anti-hero, a protagonist in shades of grey. The story relied on the prophecy as a catalyst for the story rather than letting the characters really do it themselves, but for all that, it was still decent, and Hannifin’s clear and vivid writing did a lot to bring the rest of the world to life and provide the interest that couldn’t be provided by the prophecy’s drive itself. Not the most original, but definitely decent.
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